Week Three: Asian Horror: Vengeful Spirits

     Looking back at the different types of horror we've studied over the past three weeks, I think Asian horror is easily the scariest. Though the monster and vampire films we watched in class could get pretty spooky, this unit was the only one that's actually creeped me out thus far. Asian horror plays on something that frightens me: ghosts and spirits. Though I don't believe in ghosts, they still give me the creeps. Something about the mysterious, the unknown, something that cannot be easily explained is extremely unsettling. I've noticed that even back in the earlier days of filmmaking, Asian cinema played on the subtler side of scary, whereas western culture went all out. While the west was busy building giant, spooky castles filled with cobwebs and disfigured creatures (which just scream "WE'RE TRYING TO CREEP YOU OUT"), Asia played things cool and kept their stories just unsettling enough to get under your skin.
     In fact, while watching "Pulse" during class, I actually had the urge to turn away at certain points. Not because I was scared of monsters or gore (we can all handle a little blood and guts), but because the way the film was shot left the audience just waiting to be spooked. The director did an awesome job of keeping us in suspense. Sometimes he would build the tension and keep building it, but never give us a jump scare to release the suspense. This just made the few jump scares that did appear in the film, much much scarier. For example, the scene in which the main character is asleep and his computer powers on by itself and a pixelated image of a figure sitting with a bag over his head appears, leaves us sitting there thinking WHAT. Even the first film we viewed, "Kwaidan", gave us glimpses into the unsettling subtlety of Asian horror. Sometimes strange can be much scarier than scary. 
     Asian horror also had a slightly different view on good versus evil when compared to that of western cinema's. While western horror made it very clear who was good and who was evil, Asian horror left us wondering "is this person really evil or is it just the situation life has placed them in? Is this just the way they are?" For example, in "Kwaidan", we aren't really sure if the female spirit is evil or good. These questions are what keep the audience coming back for more.